Still photographers can create the illusion of motion through the use of time-lapse photography, taking advantage of rapidly changing scenes to join a multitude of photos. In this video, you’ll learn tips and techniques on how best to capture motion. Photographer Layne Kennedy chose the Minnesota Twins’ home opener to get his shots, all 600 or so of them, as he shot one frame every five seconds for 30 minutes outside Target Field, photographing the crowd passing by the Kirby Puckett statue. Layne explains how he converted the shots to low-resolution images and used software to put them together for a QuickTime movie.
You Might Also Enjoy...
-
8:05HDR Photography Tips for Post Processing
Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony starts…
Watch Now >> -
2:20Seasonal Photography: Tips for Capturing Year Round Photos – Course Preview
If you eye seasonal photography and wish you could come up with images that beautiful, the good news is that you can. This Seasonal Photography Course will give you the skills, insights, and tricks needed to capture beauty all year long and share it with others.
Watch Now >> -
1:44Capturing the Chaplin’s Office
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On either…
Watch Now >> -
10:23HDR Editing Al Capone’s Prison Cell Photo
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,…
Watch Now >>
So, what length did Layne have his camera placed behind the statue when he took the time lapse photos and was the camera on a tripod? Thanks.
Greetings,
Classic time lapse almost always involves the camera being on a tripod.
It is that stability and registration that creates the magic of the scene seeming to stay the same and yet changing with the
light or the moving elements within.
The frequency of the shutter actuations and the amount of movement if the camera is on some sort of slider is typically
something that needs to be worked out per set-up and location. A lot of the fun of shooting time lapse is doing some
experimentation and trial and error. As you work this new type of shooting I recommend keeping good notes and giving it some
time for variations and testing as you learn the in’s and outs.
Happy Shooting!