Still photographers can create the illusion of motion through the use of time-lapse photography, taking advantage of rapidly changing scenes to join a multitude of photos. In this video, you’ll learn tips and techniques on how best to capture motion. Photographer Layne Kennedy chose the Minnesota Twins’ home opener to get his shots, all 600 or so of them, as he shot one frame every five seconds for 30 minutes outside Target Field, photographing the crowd passing by the Kirby Puckett statue. Layne explains how he converted the shots to low-resolution images and used software to put them together for a QuickTime movie.
2 Responses to “Basic Time Lapse Overview”
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Capturing the Chaplin’s Office
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On either…
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HDR Photography Tips for Capturing the Yard
The old prison yard. Outdoor setting. Light sky. Dark stone. Professional photographer and instructor, Tony Sweet, explains, “This is the perfect candidate for an HDR photo, from deep shade to bright sunlight.” You will learn that fast exposures work best in this type of exterior setting in order to minimize ghosting of the moving clouds.…
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HDR Tutorial: Learn How to Capture and Process Images – Course Preview
You’ve seen the beautiful landscape photographs that capture bright sunlight and dark shadows. You’ve heard about the method, HDR: High Dynamic Range Photography. You want to learn more. In this HDR tutorial series, your instructor, author and educator, Tony Sweet, guides you through the entire process, from capturing the on-sight images to HDR processing at…
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Considerations in Spring Photography
When it comes to seasonal photography, spring is a time of newness. Start out early for the best photos of the day so you can capture crisp, bright greens and stunning bursts of color in the flowers that bloom amid the new greenery.
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So, what length did Layne have his camera placed behind the statue when he took the time lapse photos and was the camera on a tripod? Thanks.
Greetings,
Classic time lapse almost always involves the camera being on a tripod.
It is that stability and registration that creates the magic of the scene seeming to stay the same and yet changing with the
light or the moving elements within.
The frequency of the shutter actuations and the amount of movement if the camera is on some sort of slider is typically
something that needs to be worked out per set-up and location. A lot of the fun of shooting time lapse is doing some
experimentation and trial and error. As you work this new type of shooting I recommend keeping good notes and giving it some
time for variations and testing as you learn the in’s and outs.
Happy Shooting!