Still photographers can create the illusion of motion through the use of time-lapse photography, taking advantage of rapidly changing scenes to join a multitude of photos. In this video, you’ll learn tips and techniques on how best to capture motion. Photographer Layne Kennedy chose the Minnesota Twins’ home opener to get his shots, all 600 or so of them, as he shot one frame every five seconds for 30 minutes outside Target Field, photographing the crowd passing by the Kirby Puckett statue. Layne explains how he converted the shots to low-resolution images and used software to put them together for a QuickTime movie.
You’ve watched pro photographer, Tony Sweet, shoot the cell block. Now it’s time to create a single HDR photograph from the multiple images. Tony will show you how to create an HDR master folder. How to align your source images. How to adjust for white balance and reduce chromatic aberrations. You will also learn toneWatch Now >>
How do you capture a scene bathed in mostly dark, natural light? In this Capturing Window Light video, professional photographer and instructor, Tony Sweet, takes you to a shadowy prison cell and uses a long set of exposures for his HDR photograph. The average, aperture priority setting calls for 15 seconds at 400 ISO. TonyWatch Now >>
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,Watch Now >>
How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments includingWatch Now >>