Still photographers can create the illusion of motion through the use of time-lapse photography, taking advantage of rapidly changing scenes to join a multitude of photos. In this video, you’ll learn tips and techniques on how best to capture motion. Photographer Layne Kennedy chose the Minnesota Twins’ home opener to get his shots, all 600 or so of them, as he shot one frame every five seconds for 30 minutes outside Target Field, photographing the crowd passing by the Kirby Puckett statue. Layne explains how he converted the shots to low-resolution images and used software to put them together for a QuickTime movie.
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HDR Photography Tips: Capturing Mixed Lighting
This is a great room for capturing mixed light,” says Professional photographer and instructor, Tony Sweet. He refers to a musty room in the old prison that features bright skylight, shadows, and lamp light. To capture the HDR image, you will learn how Tony uses long exposures, dropping as low as minus five below aperture…
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Processing the Root Cell
What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.…
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Processing the Chaplin’s Office
How do you process an HDR image that includes extremes of light in an old prison? In this how-to editing video, post-production instructor Tony Sweet takes you through the procedure. He sandwiches the eight exposures into one HDR photograph, moves it into Photomatix. Using the tools, he pushes the contrast way up, then dials up…
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Capturing the Root Cell
How do you go about capturing the root cell in HDR? The challenge for professional photographer and instructor, Tony Sweet, is the average tonality of the light throughout the room. He explains, “This is not a true HDR image, so I’ll take a single shot and double process it in post.” When he consults the…
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So, what length did Layne have his camera placed behind the statue when he took the time lapse photos and was the camera on a tripod? Thanks.
Greetings,
Classic time lapse almost always involves the camera being on a tripod.
It is that stability and registration that creates the magic of the scene seeming to stay the same and yet changing with the
light or the moving elements within.
The frequency of the shutter actuations and the amount of movement if the camera is on some sort of slider is typically
something that needs to be worked out per set-up and location. A lot of the fun of shooting time lapse is doing some
experimentation and trial and error. As you work this new type of shooting I recommend keeping good notes and giving it some
time for variations and testing as you learn the in’s and outs.
Happy Shooting!