Ansel Adams had a rule to achieve a quality photograph. It is knowing where to stand, or photography positioning. In this free video, world renowned outdoor photographer Ian Plant takes you to the South Dakota Badlands for tips on photography positioning. After you select a landscape scene, he recommends shooting from different positions, left, right, up, down, forward and back. The key is to capture many variations. He shows you what he calls the perfect composition of the Badlands taken with his Canon 11-24mm lens. Pro shooter Ian Plant believes that a memorable landscape image is achieved through the technique of photography positioning.
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HDR Photography Lesson: Processing the Hall of Mirrors
The problem in photographing the hall of mirrors was the wide dynamic range of light. In this editing video, post production instructor, Tony Sweet, shows you how to solve that problem in HDR processing. After combining the seven source images, Tony works his HDR image through tone mapping in the Photomatix default setting. He experiments…
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Capturing the Chaplin’s Office
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On either…
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Capturing the Barber Shop in HDR Photography
When professional photographer and instructor, Tony Sweet, discovered a musty, old barber shop in the prison, he knew he had an ideal HDR photograph. He calls it, “one of the greatest shots in all of the prison, challenging but worth the effort.” Tony shows you how to balance the bright, red barber chair with the…
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HDR Photography Tutorial: Capturing Hall Mirrors
Photographing a hall of mirrors? Now there is a challenge! In this video, professional photographer and instructor, Tony Sweet, takes you into the old prison for a complex lesson in High Dynamic Range photography. “The lighting is difficult because of the skylights and mirrors,” Tony explains. Shooting with a 14mm lens at f22, he makes…
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