There are many obstacles for outdoor photographers to overcome when shooting in the field. For example, you think you have a tack-sharp photo when you look at the image on your camera, but when you look at the photo on the computer screen you realize that it’s slightly out of focus. One of the ways you can fix focus issues is using a smaller aperture such as an f/16. However, even a small aperture can reveal some fuzzy focusing. In order to be sure you have tack sharp focus throughout a deep field of focus, you need to use a technique called focus stacking. In this tutorial, I’ll show you how to focus stack in the field for the sharpest photos ever.
Related Videos
-
2:57The old prison yard. Outdoor setting. Light sky. Dark stone. Professional photographer and instructor, Tony Sweet, explains, “This is the perfect candidate for an HDR photo, from deep shade to bright sunlight.” You will learn that fast exposures work best in this type of exterior setting in order to minimize ghosting of the moving clouds.
Watch Now >> -
2:05How do you go about capturing the root cell in HDR? The challenge for professional photographer and instructor, Tony Sweet, is the average tonality of the light throughout the room. He explains, “This is not a true HDR image, so I’ll take a single shot and double process it in post.” When he consults the
Watch Now >> -
2:22This is a great room for capturing mixed light,” says Professional photographer and instructor, Tony Sweet. He refers to a musty room in the old prison that features bright skylight, shadows, and lamp light. To capture the HDR image, you will learn how Tony uses long exposures, dropping as low as minus five below aperture
Watch Now >> -
9:07The prison barber shop images have been captured. Now it’s time for processing the HDR photograph. Post-production instructor, Tony Sweet, will show you how to export the RAW photo files to the HDR stage and into the master folder. You will learn how to work with Photomatix software. How to use tone mapping for color
Watch Now >>
Seems like it would be extremely difficult to shoot a series of photos that you plan to stack, while actually handling the camera in between each one even if only adjusting the focus ring. The slightest nudge would hopelessly reframe the scene enough to goof it up.