Patterns and repetition in photography. These are two important concepts to engage the viewer. In this free video, world renowned outdoor photographer Ian Plant shows you how patterns and repetitions in photography can be applied to your own images. There is an infinite variety of patterns in the natural and human world: patches of wildflowers, lichen on rocks, weathered wood, ripples in sand, mountain ridges, architectural designs, and cityscapes. Ian shows you his own photographic examples including the Great Sand Dunes National Park, sunlit ridges in the Utah desert, multi-hued mountains in Argentina, and more. You will learn how to look for an interesting repetition of shapes, how to recognize light and shadow patterns, and why uneven spacing works best. You will also learn why short telephoto zoom lenses are ideal to capture patterns and repetitions in photography.
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8:05Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony starts
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4:44How do you process an HDR image that includes extremes of light in an old prison? In this how-to editing video, post-production instructor Tony Sweet takes you through the procedure. He sandwiches the eight exposures into one HDR photograph, moves it into Photomatix. Using the tools, he pushes the contrast way up, then dials up
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6:17When you’re going out in the spring to capture images of beautiful buds and blooms, it’s important to be prepared. In this session, you’ll learn how to plan ahead for the right blooms, and what gear you need to pack for the conditions you’ll face.
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2:14This old prison was full of photo ops. But Al Capone’s prison cell? Professional photographer and instructor, Tony Sweet, found this old cell to be the ideal subject for a HDR photograph. You will learn how to handle mixed lighting, from lamp light to window light, from the bottom of the gray scale to the
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