Late afternoon can often be the best time for photographing wildlife. In this video, professional wildlife photographers Doug Gardner and Bill Lea photograph a magnificent buck grazing in the late golden light and show you how to photograph wildlife. You will learn to position yourself eye-level to your subject, why it’s best to shoot 1/3rd stop under your meter reading, how to capture the neutral tones of green, brown, and gray, and why it’s wise to let the deer come to you. As a bonus, a black bear suddenly appears and chases off the buck while the photographers capture the drama. As Doug observes, a photographer can feel pretty small in the wide world of nature.
Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony starts…Watch Now >>
You’ve seen the beautiful landscape photographs that capture bright sunlight and dark shadows. You’ve heard about the method, HDR: High Dynamic Range Photography. You want to learn more. In this HDR tutorial series, your instructor, author and educator, Tony Sweet, guides you through the entire process, from capturing the on-sight images to HDR processing at…Watch Now >>
The problem in photographing the hall of mirrors was the wide dynamic range of light. In this editing video, post production instructor, Tony Sweet, shows you how to solve that problem in HDR processing. After combining the seven source images, Tony works his HDR image through tone mapping in the Photomatix default setting. He experiments…Watch Now >>
Photographing a hall of mirrors? Now there is a challenge! In this video, professional photographer and instructor, Tony Sweet, takes you into the old prison for a complex lesson in High Dynamic Range photography. “The lighting is difficult because of the skylights and mirrors,” Tony explains. Shooting with a 14mm lens at f22, he makes…Watch Now >>