Low-light or ambient-light conditions can present particular challenges to your photography, but there is a tool that can offer you another creative opportunity to add interest to your photographs. In this video, you will learn how to use front curtain sync and rear curtain sync to time the flash relative to the exposure length. Professional photographer Layne Kennedy demonstrates what happens when you trigger the flash at the start of a longer exposure, and what results from the flash occurring at the end of an exposure of the same length.
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20:06You’ve watched pro photographer, Tony Sweet, shoot the cell block. Now it’s time to create a single HDR photograph from the multiple images. Tony will show you how to create an HDR master folder. How to align your source images. How to adjust for white balance and reduce chromatic aberrations. You will also learn tone
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9:49What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.
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8:43After capturing the prison yard in extreme lighting conditions, how would you go about processing the yard? Post-production instructor, Tony Sweet, walks you through the steps to achieve the final HDR photograph. Using Photomatix software, he discovers haloing around the clouds and pulls back the strength. In the default setting, Tony makes general adjustments: white
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8:26How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments including
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