Using one concept in a few different ways, you can create a number of distinctive images. In this video, you will learn several techniques for using a zoom lens during a long exposure to create a feeling of motion through the dark. Layne Kennedy describes and demonstrates how to select a subject, how to use focus, and what happens with zooming in as opposed to zooming out. You will also see the differences in the speeds of the zooms. Layne gives a good explanation of the effects of quicker exposures when compared to longer exposures.
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8:05HDR Photography Tips for Post Processing
Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony starts…
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8:43HDR Editing of the Yard Photographs
After capturing the prison yard in extreme lighting conditions, how would you go about processing the yard? Post-production instructor, Tony Sweet, walks you through the steps to achieve the final HDR photograph. Using Photomatix software, he discovers haloing around the clouds and pulls back the strength. In the default setting, Tony makes general adjustments: white…
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8:26HDR Photography Tutorial: Processing Window Light
How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments including…
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7:52HDR Photography Lesson: Processing the Hall of Mirrors
The problem in photographing the hall of mirrors was the wide dynamic range of light. In this editing video, post production instructor, Tony Sweet, shows you how to solve that problem in HDR processing. After combining the seven source images, Tony works his HDR image through tone mapping in the Photomatix default setting. He experiments…
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So fun to stumble onto this video! I use to wait on Layne at Procolor in the late 80’s/early 90’s and so glad to see he’s still creating and instructing! I learned much from him by just discussing his images that he would bring in. Hi Layne!