You may see articles on wildlife photography (including mine) mention “fill-flash” when discussing technique and how to improve your wildlife images. If it sounds a little mystifying to you, don’t worry. It’s not that complex, especially today with the tremendous interactive metering capabilities of the newer cameras and dedicated flashes. Before we get to the “how-to” let’s consider the “why.”
Common Problems with Flashes and Lighting
Why would you use flash for wildlife that you are photographing in bright daylight? Well, many of you have photographed your relatives at a picnic or other bright sunny day situation. Remember how their faces, shaded by large hats or trees, had deep, dark shadows? That was your camera’s electronics trying to compensate for the wide tonal range of your relatives bright shirts and blouses and dark, shaded eyes or faces. Even digital cameras, with their extended range of tonal stops, cannot compensate for some of those extremely bright situations.
Some of you may also question photographing wildlife in bright sunlight. After all, don’t all the wildlife photographers push photographing in the early morning or late afternoon when wildlife is usually more active? Well, that’s generally true. But, wildlife subjects don’t always cooperate with the golden light. Sometimes they come to water in the middle of the day, so you need ways to reduce that tonal range to make your images better. Also, wild animals have this really bad, inconsiderate, habit of not showing up with the sun not in front of them but with the sun off to the side or even almost behind them. Their bodies may be brightly lighted, but the face or eyes may not be.
What do you do? You could take multiple images using bracketing and use HDR tricks to combine images and reduce the tonal range if your wild animal subject freezes long enough – not too likely. Or, you could familiarize yourself with fill-flash and use this technique to improve the quality of your images.
The Fill-Flash Technique
Look at these two images of the whitetail antelope squirrel. I took these in late morning as I got back to my car after a long hike in Joshua Tree National Park. I had been looking for lizards and other desert reptiles so I had my “long” wildlife lens on my camera. This little guy ran out in front of me, almost under my car, to steal seeds laying on the walkway. He would stop in the middle of a group of flowering desert dandelions and quietly chew away while watching me. Don’t know about you, but it’s hard for me not to photograph a squirrel like this. But, I had bright, late morning desert sunlight: enter my flash.
The top image is without flash and you can see the body and face of the animal are dark with minimal color pop while the bright flowers in the background almost overwhelm the squirrel. The image directly above was taken with fill flash at – 1 1/3 setting on the flash. I exposed for the overall scene’s ambient light and then dialed in -1 1/3 on the flash menu. That way meant I would not get a dark background often associated with wild animals photographed with full flash in a bright environment. There is more detail in the squirrel in the second image and the color intensifies slightly making the overall image more pleasing to the viewer.
Try photographing various subjects (could be plants, trees, flowers, birds, etc. for this test) using different ambient light and fill-flash settings to find the settings that work best for you.
About the author: Dave Welling is a full time professional photographer specializing in wildlife, landscape and nature with over 75,000 6×7, 6×4.5, and 35mm film and digital images. He has been capturing evocative images of the natural world for over 25 years, producing the highest quality images for publication. His images often capture unique behavioral characteristics of wildlife or special lighting or weather conditions of landscapes. You can see more of his work at www.strikingnatureimagesbydavewelling.com.
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Both images appear to have been taken with flash, the first an a very low setting, and the second at 2x or 4x the power of the first. I say this because of the shadow cast from a couple blades of grass on the lower part of the squirrel.
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Do you have any video of that? I’d love to find out more details.
For the purposes of this lesson the photographer provided the two squirrel images as seen on the page. Although video is often helpful to illustrate lessons the good news is that in this case you see a clear yet subtle difference between the two images. I can echo the lesson in encouraging you to: “Try photographing various subjects (could be plants, trees, flowers, birds, etc. for this test) using different ambient light and fill-flash settings to find the settings that work best for you.” The results will varying greatly with your settings, placement, and gear. Now the you have the basics, experiment and create something that you like.
Animals are disturbed by lightning ?
It seems to be an one shot possibility : the animal would be frightened and go away ! No more possibility of an other picture…
Sorry to burst your bubble but most animals especially in the daytime with the sun shining prevantly never have inseen a flash spook any wildlife bird nor mammal. And I’ve done thus since 1977. Even at night photographing barn owls in flight tripping my Dale beam and flash set up at night did it disturb these keen eyed night birds.
I tried this one afternoon in a big tree area when a barred owl was talking from high up in a tree. Even using spot metering kept the owl dark and the sunlight was sort of behind it. I used my flash dialed down and still got big bright dots in the eyes. Tried it again on a black bear under a tree and again bright dots in the eyes. Any help ideas?
Hi Susan. Due to the placement of the strobe which is on-axis above your lens you are bound to get catch lights on the eyes,
it is same with most human subjects. There are two options, one easy one not so much.
Easy: many programs, Adobe Lightroom being the easiest to use, give a quick tool for removing red eye and catch lights.
So as always, shoot RAW, bring it into Lightroom, read up on the how-to’s and it’s easy to make it go away. You can also
do this manually in PhotoShop.
Not As Easy: Set-up the fill light on a stand that is either camera left or right. Then use a remote hard wire trigger or a IR trigger
to light up the strobe. Putting the light off to a side will typically make the catch lights either go away or become much less noticeable.
That said may also like the effect that off axis light provides as opposed to straight on blast.
Did you use a diffuser?
Hi, Steve. The photographer providing the lesson is not available…but perhaps I can help. When using fill flash outdoors the choice to use diffusion or not is both a creative and a practical one. As you know flash diffusion “takes the edge” off strobe light when you use small flash units that are often referred to as speed lights. Some folks like the crisp and contrasty look that un-diffused speed lights provide and some folks don’t. If you are looking for a very sharp and highly detailed look go with no or very little diffusion, if you like a softer feel, try one of the many diffusion options from mini light boxes to just taping a little frosted gel over the head. That brings us to the practical part. Diffusion will drop your power either a little or a lot depending on the materials used. If you subject is close and the lighting is low it should not be a problem, however if the subject is farther away and/or there is lots of existing light you may need all the power the strobe can provide so diffusion may not be an option. Som my default here, as always is to experiment, try a number of options for your shooting and see which ones you prefer. Happy Shooting!
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Was the flash camera mounted or stand alone?