Layne Kennedy

Seasonal Photography: Tips for Capturing Year-Round Photos—Course Preview

Layne Kennedy
Duration:   2  mins

Description

If you see seasonal photography and wish you could come up with images that beautiful, the good news is that you can. This Seasonal Photography course will give you the skills, insights, and tricks needed to capture beauty all year long and share it with others.

Breathtaking beauty exists in all four seasons of the year, and a talented photographer can freeze these scenes in time. If you’ve always wanted to take the kind of pictures that take people’s breath away, this course will give you the tools you need to capture year-round beauty.

In this video course, you’ll gain from the wisdom of Layne Kennedy, a seasoned photographer who will break down the year into four separate sessions.

Photography, Season by Season

Each season is a separate segment with each covering multiple photography topics, starting with an overview of the season outlining considerations of shooting in that season.

For spring photos, you’ll move on to learn about setting up the shot, highlighting your subject with backlighting, and using macro, wide angle, and panoramic lenses.

The summer segment—filmed at the Minnesota State Fair—will cover photographing crowds, focusing in tightly on animated faces, and working with indoor scenes.

In the fall, you’ll be able to choose the right exposure for the changing colors, creatively show motion in your photos, and find different perspectives to shoot from.

Winter requires perhaps the most consideration, starting with dressing to stay warm and dry and figuring out what you can take with you and how to transport it (Layne uses a sled). He also explains how to use light and exposure for realistic colors and gives tips on visualizing and cropping great images. You’ll also see how a nearly monochromatic image with dull colors can get more spark when converting to black and white.

Throughout the course, you’ll learn to get the best images of each of the four seasons: perhaps you’ll reveal the first flowers unfolding in the spring, capture the festive atmosphere at a summer fair, present the gorgeous spread of fall, or highlight exquisite frosted trees and tenacious frozen berries in winter. The skills you’ll learn can help you capture beauty throughout your lifetime.

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So here it is spring, gorgeous morning light, sunrise, great time to be out here. Every season offers really a unique opportunity for photographers to be out and get a variety of images based on those seasons. And then there's spring, which I think is one of my favorite times of the year. Not only because everything comes to life, when leaves bud out there's a quality of the green that you get in spring that you don't get any other the time of the year. Think about it, big picnics down at the lake, a vacation at the resort, county fairs, we're at the Minnesota State Fair, the great Minnesota get-togethers, we're going to have a lot of fun here shooting. I'm going light, it's one of the things I like to do when I come to events like this, is rather than bringing everything that I need in the world which I think a lot of photographers do, I'm going light. The heaviest thing I'm bringing with me is my tripod. And I'm going to bring that along just simply because there's a couple of things I like to do when shooting crowds, but also at the mid-weight night when the fair lights start to come on and that ambient light is perfect for shooting at night. I think fall is the season that really draws out even your most casual photographers to get out and take photographs of this great light. So it's the season that you go out. And when I think about going out in the fall, I think of those crisp mornings which means I got to bring a few extra gloves, maybe a hat, and a windbreaker to break that morning chill. As far as equipment goes, I don't need to bring anything more than I normally bring, my normal arsenal. I bring a tripod, a variety of lenses, and I bring my flash at times, as well because that can kind of come in handy, reflectors. But other than that, I just go out and find the most appropriate compositionally pleasing scenes and fire away. Growing up in the North, I have a tremendous affection for shooting in winter and there's a lot of reasons why. One, fewer people go out in the winter. So it's a great time to be out there and kind of have the place to yourself. Secondly, you get to a place like this where it's un-tracked snow, but when you do see a track, you become so connected with the area that you're in that you become alive in a very different way. And the other is the fact that you get to go out and be kind of all by yourself. And I like that and with fewer people out shooting winter, it gives us the opportunity to really bring home something special that others don't go do.
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