Have you heard of a technique called back button focus? In this free video, world renowned outdoor photographer Ian Plant takes you on a wildlife safari in Kenya for tips on back button focus. When you are doing wildlife photography, you should use your camera’s predictive autofocus mode because this allows you to track the animal as it moves. But what if the subject doesn’t fall on one of your autofocus points? Ian solves this problem by disabling the front shutter button focus, then enabling the back button focus. Using his own camera, he shows you how this button works. Whenever you press the button, the camera will find the focus point. When you release the button, the camera will lock focus, resulting in the sharp image you were aiming to achieve.
A HDR photography session in a deserted prison? Why not! Professional photographer and instructor, Tony Sweet, takes you to an old prison cell block for what he calls “a great HDR venue” because of the dynamic lighting range from bright skylights to dark stone walls. You will learn to deviate from your normal light readingWatch Now >>
Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony startsWatch Now >>
What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.Watch Now >>
Photographing a hall of mirrors? Now there is a challenge! In this video, professional photographer and instructor, Tony Sweet, takes you into the old prison for a complex lesson in High Dynamic Range photography. “The lighting is difficult because of the skylights and mirrors,” Tony explains. Shooting with a 14mm lens at f22, he makesWatch Now >>