Photographing flying pelicans in their natural environment takes careful preparation. In this video, pro wildlife photographers Doug Gardner and Eric Horan take you to Castle Pinckney Island where the brown pelican rookery is located. You will learn that birds take off in the direction of the wind, and that light can be your best friend or worst enemy. Therefore, your shooting position should be with the wind and the sun behind you. To capture flying birds, Eric recommends using 200-500mm lenses and a ball head tripod when shooting from a boat, but you can go handheld with a shorter zoom lens. Get onboard with Doug and Eric for tips on photographing flying pelicans.
The problem in photographing the hall of mirrors was the wide dynamic range of light. In this editing video, post production instructor, Tony Sweet, shows you how to solve that problem in HDR processing. After combining the seven source images, Tony works his HDR image through tone mapping in the Photomatix default setting. He experimentsWatch Now >>
When you’re going out in the spring to capture images of beautiful buds and blooms, it’s important to be prepared. In this session, you’ll learn how to plan ahead for the right blooms, and what gear you need to pack for the conditions you’ll face.Watch Now >>
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On eitherWatch Now >>
What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.Watch Now >>