Storms can produce roiling skies, lightning and tornadoes, but storms can also provide dramatic photo opportunities. In this video series, professional outdoor photographer Doug Gardner and storm chaser Brian Barnes drive hundreds of miles over the plains of Kansas and capture some exciting images. You will learn how to track a storm cell, where to locate your shooting position, how to adjust your camera settings on the fly, and how to frame a creative composition. Doug and Brian will capture images of thunderous skies, black and blue storm clouds, lightning bolts, and even a tornado as it funnels its way toward them.
How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments includingWatch Now >>
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,Watch Now >>
Post production instructor, Tony Sweet, has captured the HDR images in the old prison room under difficult lighting conditions. “It’s my favorite room in the prison,” Tony explains, “because of the various light sources and colors.” The next step is processing the mixed light. You will learn tone mapping in the Photomatix software. Tony startsWatch Now >>
What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.Watch Now >>