Storms can produce roiling skies, lightning and tornadoes, but storms can also provide dramatic photo opportunities. In this video series, professional outdoor photographer Doug Gardner and storm chaser Brian Barnes drive hundreds of miles over the plains of Kansas and capture some exciting images. You will learn how to track a storm cell, where to locate your shooting position, how to adjust your camera settings on the fly, and how to frame a creative composition. Doug and Brian will capture images of thunderous skies, black and blue storm clouds, lightning bolts, and even a tornado as it funnels its way toward them.
The prison barber shop images have been captured. Now it’s time for processing the HDR photograph. Post-production instructor, Tony Sweet, will show you how to export the RAW photo files to the HDR stage and into the master folder. You will learn how to work with Photomatix software. How to use tone mapping for color…Watch Now >>
This is a great room for capturing mixed light,” says Professional photographer and instructor, Tony Sweet. He refers to a musty room in the old prison that features bright skylight, shadows, and lamp light. To capture the HDR image, you will learn how Tony uses long exposures, dropping as low as minus five below aperture…Watch Now >>
How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments including…Watch Now >>
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,…Watch Now >>