The beauty of Grand Teton National Park is breathtaking. In this video series, pro wildlife photographer Doug Gardner explores the park and shows you how to photograph magnificent wildlife in this natural habitat. You will learn tips and techniques on photographing bison, mule deer, pronghorns, and moose as they go about their daily routines. He will show you why camera settings are critical, how to correct for white balance, and how to set your exposures to accommodate the changing light. Along the way, he interviews Director of Wildlife Expeditions David Watson who explains the guided tours his organization offers. Trek through the Tetons with Doug Gardner on this fascinating photographic adventure.
A HDR photography session in a deserted prison? Why not! Professional photographer and instructor, Tony Sweet, takes you to an old prison cell block for what he calls “a great HDR venue” because of the dynamic lighting range from bright skylights to dark stone walls. You will learn to deviate from your normal light readingWatch Now >>
After capturing the prison yard in extreme lighting conditions, how would you go about processing the yard? Post-production instructor, Tony Sweet, walks you through the steps to achieve the final HDR photograph. Using Photomatix software, he discovers haloing around the clouds and pulls back the strength. In the default setting, Tony makes general adjustments: whiteWatch Now >>
The prison barber shop images have been captured. Now it’s time for processing the HDR photograph. Post-production instructor, Tony Sweet, will show you how to export the RAW photo files to the HDR stage and into the master folder. You will learn how to work with Photomatix software. How to use tone mapping for colorWatch Now >>
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On eitherWatch Now >>