There are few sights in nature that are as awe-inspiring as being high up a mountain, looking down upon a sea of clouds. Getting above the clouds doesn’t happen often, but when it does, it presents many unique photographic opportunities. I drove high up an alpine road to make this photo at sunrise, when golden
Whenever I’m teaching someone in a photography workshop or in a classroom setting, I always try to get them into a comfortable workflow they can follow for every photograph they edit. However, every photograph is different which forces the photographer to make decisions on some extra edits they should make. A workflow is important because
Early blooming flowers provide plenty of opportunities to take great pictures in spring. The variety of colors and species available make for endless creative possibilities. We are also more sensitive to colors after a less saturated winter. Of course, there is always an impulse to imitate pictures we have seen and liked, pictures that inspired
If you’ve been an outdoor photographer for very long you might have noticed by now that you spend a lot of time near the water. There’s no doubt that water features add a lot to any landscape nature scene. Ponds are a tremendous feature to shoot with mountains, waterfalls are always a beautiful cascading subject,
One of the best parts of traveling is the photos you come home with. The quantity and quality of the photos is directly related to the amount of preparatory work that you perform before ever leaving on your adventure. There is nothing worse than visiting a once-in-a-lifetime location, and coming away with less than impressive
In the previous articles in this series, I have discussed ways to make successful compositions using three and two primary subjects. Now we have arrived at one. One seems easy: just point your camera at your subject, right? On the one hand, photographing one subject has the advantage of being simpler than photographing multiple subjects.
In my last article on photography composition, I discussed ways to use three primary subjects to create powerful compositions. And although I have a bit of a soft spot in my heart for three, two subjects can be just as compelling, if you know how to do it right. Compositions with two subjects give you
I’m not a big fan of the so-called “Rule of Odds,” which claims that photographic compositions are more visually appealing when there is an odd number of subjects. Of course, depending on your subject matter and overall composition, sometimes an even number of subjects doesn’t work—but then again, sometimes an odd number doesn’t work, either.
I’ve been in quite the quandary the past few months because I fear there is a division among some people who consider themselves to be outdoor photographers. On one side there is the old guard of outdoor photographers who desire to keep the shooting pure. It’s not outdoor photography unless it’s a photograph of only
As a professional photographer, I’ve had the joy of having a career that allows me to travel to some amazing locations. I’ve seen some of the most famous places during my travels, but just like a lot of people I still have a long list of places to see (and it seems to be getting