How do the pro photographers create those technically precise images for their clients? In this video, professional photographer Steve Niedorf gives you five pro photography tips to ensure your photographs come out to your liking. First, you Format The Data Card in the camera menu to clear out old data. Second, after exposing a few frames, Check Exposure by reading your histogram graph. Third, after each set of exposures, Check Focus on your camera’s LCD screen. Fourth, consult the menu to make sure you Shoot RAW for versatile post production options. Fifth, Shoot For Parts to make sure each part of your photo is captured to your liking. Five pro photography tips to help you improve your own work.
How do you process an HDR image that includes extremes of light in an old prison? In this how-to editing video, post-production instructor Tony Sweet takes you through the procedure. He sandwiches the eight exposures into one HDR photograph, moves it into Photomatix. Using the tools, he pushes the contrast way up, then dials upWatch Now >>
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,Watch Now >>
How do you go about HDR processing the prison cell dominated by dark shadows? In this tutorial, post-production instructor, Tony Sweet, will take you through the steps. “I shot very long exposures,” he explains, “and this helped capture the details.” In Photomatix tone mapping, he starts with the default setting and makes the adjustments includingWatch Now >>
In this high dynamic range photography tutorial, the challenge is to include all the intricate details: religious murals, chipped wall paint, hard sunlight patterns, and deep shadows. In this video course, professional photographer and instructor, Tony Sweet, will show you how to combine all the lighting elements. Tony uses manual bracketing at f22. On eitherWatch Now >>