When you capture your landscape images, you might consider how to tell the story through a sense of place. In this free video, world renowned outdoor photographer Ian Plant takes you to the Dakota Badlands to create photographs unique to this setting. He shows you how the cracked mud gives the Badlands its own sense of place. He makes sure his landscape images always include these cracked mud patterns, whether as visual foreground introductions or tighter shots of the intimate details. Using a wide angle lens, Ian makes his exquisite landscape photographs, all telling the story of the Badlands’ unique geographic sense of place.
Related Videos
-
8:43After capturing the prison yard in extreme lighting conditions, how would you go about processing the yard? Post-production instructor, Tony Sweet, walks you through the steps to achieve the final HDR photograph. Using Photomatix software, he discovers haloing around the clouds and pulls back the strength. In the default setting, Tony makes general adjustments: white
Watch Now >> -
11:50How do you go about processing the tower window, given the difficult lighting? In this video, post-production instructor, Tony Sweet, explains, “This is the classic, high dynamic range situation.” The tower window glows with bright, diffused light, while the cell block falls to deep shadows. You will learn Photomatix software and how Tony goes about
Watch Now >> -
4:44How do you process an HDR image that includes extremes of light in an old prison? In this how-to editing video, post-production instructor Tony Sweet takes you through the procedure. He sandwiches the eight exposures into one HDR photograph, moves it into Photomatix. Using the tools, he pushes the contrast way up, then dials up
Watch Now >> -
10:23The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,
Watch Now >>
