Things get much more complicated when the range between light and dark in the scene exceeds your camera’s abilities. In this video, Ian discusses several techniques for taming high contrast, making it easier for you to always get the exposure right, even in tricky lighting conditions.
The six images have been captured, and now it’s time for processing Al Capone’s cell. Post production instructor, Tony Sweet, drags the HDR-processed RAW file into Photomatix, his favorite HDR software. When he runs into a problem with an overexposed skylight, he corrects with tone mapping and the white point point tool. He discusses saturation,Watch Now >>
When professional photographer and instructor, Tony Sweet, discovered a musty, old barber shop in the prison, he knew he had an ideal HDR photograph. He calls it, “one of the greatest shots in all of the prison, challenging but worth the effort.” Tony shows you how to balance the bright, red barber chair with theWatch Now >>
The problem in photographing the hall of mirrors was the wide dynamic range of light. In this editing video, post production instructor, Tony Sweet, shows you how to solve that problem in HDR processing. After combining the seven source images, Tony works his HDR image through tone mapping in the Photomatix default setting. He experimentsWatch Now >>