When shooting wildlife and landscapes, do you get tired of changing lenses to accommodate your composition choices? In this free video, world renowned outdoor photographer Ian Plant takes you to Ethiopia and shows you why the Tamron 24-70mm mid-range zoom lens may solve your problem. The Tamron 24-70mm zoom lens is ideal for shooting a variety of wildlife, landscape, and travel subjects. With a fast aperture of 2.8, this remarkable lens allows you to hand-hold your camera in low light situations when shooting wildlife or documentary subjects. It also has vibration compensation for sharp focus and image stabilization when you need to use lower shutter speeds. Employing this practical zoom lens, Ian shows you some of his beautiful wildlife and landscape images from his Ethiopia excursion. For more information about the Tamron 24-70mm zoom lens, visit www.tamron-usa.com.
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2:34A HDR photography session in a deserted prison? Why not! Professional photographer and instructor, Tony Sweet, takes you to an old prison cell block for what he calls “a great HDR venue” because of the dynamic lighting range from bright skylights to dark stone walls. You will learn to deviate from your normal light reading
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9:49What’s it like to work from a single image in HDR? In this video, Processing the Root Cell, post-production instructor, Tony Sweet, will show you how to process an HDR file using a single photograph. Tony imports his best image into Aperture, makes exposure adjustments, and drops the RAW file into the Photomatix HDR software.
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6:17When you’re going out in the spring to capture images of beautiful buds and blooms, it’s important to be prepared. In this session, you’ll learn how to plan ahead for the right blooms, and what gear you need to pack for the conditions you’ll face.
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4:44How do you process an HDR image that includes extremes of light in an old prison? In this how-to editing video, post-production instructor Tony Sweet takes you through the procedure. He sandwiches the eight exposures into one HDR photograph, moves it into Photomatix. Using the tools, he pushes the contrast way up, then dials up
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