Outdoor photography has the ability of putting you in very unique situations in which you must problem solve with your compositions and photography gear. Waterfall photography is no different. In fact, once you have photographed waterfalls several times, you begin to realize how much of a niche topic that they are within outdoor photography. To get the best waterfall photos, you have to know the essential gear for waterfall photography. You not only have to know your gear, but you also have to know how and when to use it while photographing waterfalls. In this video, David Johnston will take you into Great Smoky Mountains National Park to show you the essential gear for waterfall photography as well as how to use each piece of gear best. Get your gear packed because after this, you’re going to want to shoot some waterfalls!
How do you go about processing the tower window, given the difficult lighting? In this video, post-production instructor, Tony Sweet, explains, “This is the classic, high dynamic range situation.” The tower window glows with bright, diffused light, while the cell block falls to deep shadows. You will learn Photomatix software and how Tony goes about…Watch Now >>
This is a great room for capturing mixed light,” says Professional photographer and instructor, Tony Sweet. He refers to a musty room in the old prison that features bright skylight, shadows, and lamp light. To capture the HDR image, you will learn how Tony uses long exposures, dropping as low as minus five below aperture…Watch Now >>
If you aspire to pursue seasonal photography and want to come up with beautiful images throughout the year, with OPG you can! This Seasonal Photography Course will give you the skills, insights, and tricks needed to capture beauty all year long and share it with others.Watch Now >>
Photographing a hall of mirrors? Now there is a challenge! In this video, professional photographer and instructor, Tony Sweet, takes you into the old prison for a complex lesson in High Dynamic Range photography. “The lighting is difficult because of the skylights and mirrors,” Tony explains. Shooting with a 14mm lens at f22, he makes…Watch Now >>